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Dating fender amp serial numbers

Posted on by Nikogis Posted in Correspondence 5 Comments ⇩

Of course, this is all hypothetical, but still plausible. After that the foreman would add the tubes, turn 'em on and set the bias. When we had filled our cart we'd wheel it over to the Chicano chicks. The best estimate is that about of these were made before the circuit was revised. Anyway, you get the idea. Probably the same as the pots and transformers that we just dug out of the boxes. In addition, the dating-by-serial number tables have been revised and are more accurate. Since , more interesting factoids of interest have surfaced and are presented here. For instance, the serial numbers for tweed Bandmaster 3x10 run from S to S Rather than waste those 8-ohm output transformers in stock from previous 6G6 production, Fender used them up on the first 6G6-A with 4-ohm speaker cabinets. But other changes may be meant to deceive.

Dating fender amp serial numbers


Paul Linden has volunteered to fill in for Greg. Probably the same as the pots and transformers that we just dug out of the boxes. Some tables changed very little and others changed quite a bit. In addition to A, it appears the stamping machine stuck on serial number A as four distinct amps with this number has been reported. I just discovered that the silverface Bandmaster speaker cabinet the big, tall one without tilt-back legs is ported see photo. One has to wonder where all those factory original export back panels are! There is no way to separate out production for these models, but with enough data, we might be able to do some frequency distribution and such to determine a rough estimate. For the uniquely serialized models, the production estimates using my hypothesis, can be determined from the serial number tables. They were something to behold, all chatting away while soldering so quickly, it didn't hardly seem like they were looking at the amps. Same with the little rectifier boards. Very few of these were and those who own one of these oddballs can either be happy with the fact that it is a rare amp or be sad that the mismatched impedance means the amp is less efficient. One thing we know for sure is that production codes can help date an amp to a particular month within a given model run. I thought they were completely sealed units. Assuming they were all used sequentially and starting at , there would be around non-master volume silverface Twin Reverbs and Dual Showman Reverbs out there. Large overlaps in years may be due to lack of sufficient data late s to mid s or simply that the stamped chassis were used way out sequence mid s to early s. But changes took place in as well. I will present my hypothesis here and let Greg present his side of the story in a future article. I promise the tables will still be there after you finish reading. The 5G12 Concert is the earliest version from very late and early so the existence of a tweed example, while extremely rare, is certainly plausible since Fender was making lots of tweed amps during the same time period. The Australian Fender Distributor then installed V - V stepdown transformers in the bottom of the cabinets. Well, for the 4-digit serials affixed on a foil sticker, numbers as low as and has high as have been observed. Same goes for Princetons made after To make things more interesting, there were two versions of the 6G9 6BQ5 circuit. The boss came around and said what we'd be building. We also received a report of a tweed 5G12 Concert. The second thing that was done was the addition of another number stamped into the chassis as a suffix to the A serial number, e.

Dating fender amp serial numbers


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